06 SHOP TALK June 22, 2021
QUESTIONS ANSWERED:
1. Review of drawing lines - both straight and freeform lines. Also, the best way to put a line frame around an image.
2. I want to make Vic (the man with a megaphone wearing a yellow hat) stand out more as the subject without degrading the people and location in the image. Would dodge & burn technique, or making Vic sharper and brighter work? After processing, it's ok to still look like a grab-shot, but not to look "processed".
3. What is the best way to change the colour in selective areas of an image where it appears in several locations?
4. Can you please demonstrate how to us how to use the content-aware fill?
QUESTIONS ANSWERED:
1. Review of drawing lines - both straight and freeform lines. Also, the best way to put a line frame around an image.
2. I want to make Vic (the man with a megaphone wearing a yellow hat) stand out more as the subject without degrading the people and location in the image. Would dodge & burn technique, or making Vic sharper and brighter work? After processing, it's ok to still look like a grab-shot, but not to look "processed".
3. What is the best way to change the colour in selective areas of an image where it appears in several locations?
4. Can you please demonstrate how to us how to use the content-aware fill?
QUESTIONS ANSWERED:
1. Review of drawing lines - both straight and freeform lines. Also, the best way to put a line frame around an image.
2. I want to make Vic (the man with a megaphone wearing a yellow hat) stand out more as the subject without degrading the people and location in the image. Would dodge & burn technique, or making Vic sharper and brighter work? After processing, it's ok to still look like a grab-shot, but not to look "processed".
3. What is the best way to change the colour in selective areas of an image where it appears in several locations?
4. Can you please demonstrate how to us how to use the content-aware fill?